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Yuva (Kannada with English Subtitles)

02h 33m
B Ajaneesh Loknath Music Bengaluru movie tickets College action movies Kannada action dramas Kannada movies with English subtitles Kannada sports movies Santhosh Ananddram films Sapthami Gowda movies Yuva Yuva Rajkumar movies U/A
  • Director: Santhosh Ananddram
  • Writers: Santhosh Ananddram
  • Stars:
  • Yuva Rajkumar
  • Sapthami Gowda
  • Achyuth Kumar
  • Sudharani
  • Kishore

Yuva at Victory Cinema Yuva introduces Yuva Rajkumar as a leading man in a Kannada action drama built around youth, wrestling, college conflict and the responsibilities that gradually transform an impulsive young man. Written and directed by Santhosh Ananddram, the film follows a talented athlete whose promising sporting future is disrupted, forcing him into a different world where anger, friendship, family expectations and personal choices begin shaping his identity. Produced by Vijay Kiragandur under Hombale Films, Yuva releases theatrically on 29 March 2024. The principal cast includes Yuva Rajkumar, Sapthami Gowda, Achyuth Kumar, Sudharani, Kishore and Gopal Krishna Deshpande. BookMyShow lists the Kannada action drama with an approximate running time of two hours and thirty-three minutes and a U/A certificate. Victory Cinema presents Yuva in Kannada with English subtitles for movie lovers from across Bengaluru. Check the latest showtimes, choose your preferred seats and book directly on victorycinema.in without booking fees. A young wrestler with a promising future Yuva is introduced as a national-level wrestler whose physical ability, determination and competitive fire have given him a clear ambition. The wrestling arena offers discipline and recognition, but it also demands trust between an athlete, his coach and the institutions governing the sport. Kishore plays Veeranna Doddamani, Yuva’s wrestling coach and an important influence on his sporting journey. When allegations surrounding match-fixing affect both athlete and coach, the path Yuva had imagined for himself begins collapsing. The accusation places more than a sporting title at risk. Yuva’s confidence, reputation and relationship with his family are also affected. A young man who previously measured himself through victory must now learn how to respond when his name is questioned and the future he expected appears to have been taken away. This sporting background gives the film an emotional foundation beyond physical action. Wrestling represents Yuva’s talent, pride and desire to prove himself, while the setback forces him to confront whether strength is limited to winning inside an arena. Engineering college becomes a battlefield Unable to continue along the path he had planned, Yuva enters an engineering college in Mangaluru. The campus, however, is not presented merely as a place of classes, friendships and ordinary student life. Rivalries between groups have grown into organised hostility. Hostel students and local groups confront one another with the intensity of gang warfare, and Yuva’s refusal to remain silent quickly places him at the centre of the conflict. The official theatrical synopsis describes an engineering-college feud escalating into a wider battle, with Yuva standing beside his fellow hostel residents against powerful opposition. Yuva’s courage attracts followers, but leadership also carries consequences. Protecting friends may appear honourable, yet uncontrolled anger and repeated confrontation can damage education, relationships and the future he is already struggling to rebuild. The college portions promise large action sequences, youthful energy and moments of camaraderie. They also ask whether loyalty requires joining every fight or understanding when strength must be controlled. Yuva Rajkumar’s lead debut Yuva marks Yuva Rajkumar’s debut as a lead actor. The film is designed to introduce him through action, dance, romance, emotional drama and a character whose journey moves from youthful aggression towards responsibility. Director Santhosh Ananddram described the newcomer as sincere, disciplined and willing to surrender himself to the requirements of the script. The filmmaker also highlighted the intensity in Yuva Rajkumar’s screen presence while shaping him as an angry young man carrying both fire and vulnerability. The role requires athletic preparation because wrestling is central to the character’s identity. It also demands emotional range as Yuva moves between sporting ambition, campus conflict, romantic companionship and difficult family circumstances. Rather than presenting the debut only through heroic introductions, the story gives the character weaknesses that must be confronted. Yuva can fight strongly, but he must learn that adulthood is measured through accountability, patience and the ability to stand beside one’s family when circumstances become difficult. Sapthami Gowda as Siri Sapthami Gowda plays Siri, bringing romance, companionship and another perspective into Yuva’s turbulent life. Siri encounters a young man whose confidence and physical courage are immediately visible, but whose anger and uncertainty can make him difficult to understand. Her relationship with Yuva allows the film to reveal a more playful and emotionally open side of the central character. Their scenes provide relief from college confrontations and family tension while also asking whether Yuva can communicate honestly when his pride has been hurt. Sapthami Gowda joined the Hombale Films production after gaining recognition through earlier Kannada films. Yuva places her opposite a debutant in a commercial action drama that combines romance with sport and family emotion. The romantic portions are supported by B. Ajaneesh Loknath’s melodies, giving Yuva and Siri space to connect away from the conflicts surrounding the hostel, wrestling arena and family home. A father and son divided by disappointment Achyuth Kumar plays Shankar, Yuva’s father, while Sudharani appears as his mother Girija. Their family relationship becomes one of the film’s most important emotional threads. Shankar sees ability in his son but is also troubled by Yuva’s decisions, anger and uncertain direction. The match-fixing allegation and later college conflicts create distance between them, making ordinary communication increasingly difficult. Producer Vijay Kiragandur described the father-son relationship as the emotional heart of the film and emphasised its focus on family values at a time when relationships can be weakened by misunderstanding and changing priorities. The conflict is not based upon an absence of love. Shankar’s disappointment comes from expectation, while Yuva’s anger is connected to the feeling that his father no longer trusts or understands him. As the story develops, Yuva must recognise that family responsibility is not separate from personal ambition. A sporting career or college reputation cannot provide meaning if the people at home are carrying burdens he refuses to see. Sudharani’s Girija brings warmth and emotional balance to the household, while the presence of Yuva’s sister further expands the responsibilities surrounding the central character. From physical strength to responsibility The title Yuva means youth, and the film uses its central character to examine both the energy and instability associated with that stage of life. Yuva possesses the physical ability to dominate a wrestling match and confront opponents on campus. Yet the more demanding challenge is learning what to do when strength cannot immediately solve a problem. Family debts, damaged trust, uncertain employment and the consequences of earlier choices require patience rather than aggression. The young wrestler must decide whether he will remain defined by the accusations and fights surrounding him or accept the difficult work of rebuilding his future. This transformation gives the action drama a broader family appeal. The story recognises youthful anger and friendship while also presenting responsibility as a form of courage. Yuva’s journey suggests that becoming an adult does not mean abandoning ambition. It means understanding that dreams must exist alongside duty, discipline and respect for the people whose sacrifices often remain unnoticed. Santhosh Ananddram and Hombale Films Santhosh Ananddram writes and directs Yuva, continuing his collaboration with Hombale Films after earlier Kannada projects with the production house. His films frequently combine commercial entertainment with family relationships and characters who undergo emotional transformation. Yuva brings those elements into a youthful setting involving wrestling, engineering-college life and an angry protagonist searching for direction. Vijay Kiragandur produces the film through Hombale Films, which officially lists Yuva as a 29 March 2024 release spanning action, romance, comedy, drama and thriller elements. The production gives Yuva Rajkumar a large theatrical introduction without separating spectacle from the father-son relationship at the centre of the narrative. Action, dance and campus conflict establish the character’s energy, while the later family portions are designed to test whether that energy can be transformed into purpose. B. Ajaneesh Loknath’s music B. Ajaneesh Loknath composes the songs and background score, bringing together mass energy, romance and family emotion. The soundtrack contains seven songs, including “Obbane Shiva Obbane Yuva,” “Kavithe Kavithe” and “Appuge.” The album was released through Aananda Audio, with Santhosh Ananddram and Pramod Maravanthe contributing lyrics. “Obbane Shiva Obbane Yuva,” sung by Nakash Aziz and Santhosh Ananddram, functions as an energetic celebration of the hero’s confidence and fighting spirit. “Kavithe Kavithe,” sung by Sanjith Hegde, brings a softer romantic sound to Yuva and Siri’s relationship. The contrast between the mass number and the melody reflects the film’s movement between action and emotion. The background score supports wrestling sequences, college confrontations and the increasingly emotional conflict between Yuva and his father. In a theatre, the percussion, crow